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  • 1.
    Almer, Johan
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Att bli själsligt alfabetiserad: Ingmar Bergmans Scener ur ett äktenskap som en väg till självkännedom (Bergmans berättelser)2018In: TijdSchrift voor Skandinavistiek, ISSN 0168-2148, E-ISSN 1875-9505, Vol. 36, no 2, p. 92-98Article in journal (Refereed)
    Abstract [en]

    Scenes from a Marriage (1973) marked a breakthrough for Ingmar Bergman (1918-2007), reaching awide audience both nationally and internationally. Scenes from a Marriage is also Bergman's first television series and today his most performed play in theatre around the world. Productions of Scenes from a Marriage in different media, such as television series, feature films, a book and in the theatre,has made it Bergman's most widespread work. Scenes from a Marriage was also of great importance to many individuals, influencing them to make crucial changes in their lives and relationships. Bergman's story of the marriage of two people, a marriage in crisis, divorce and reconciliation has obviously something to say to many of us who have watched, listened to, or read the story. What then does it tell us, and in what way is the story told? This question is addressed in an analysis of the work's composition,with particular emphasis on narrative techniques, motifs and the underlying theme, based on the Swedish book version. The six scenes in the book all take a dramatic form and present the same basic literary motif in different ways: a relationship based on love between two people in a very difficult situation.This motif, in turn, unfolds within the overall theme of the work: the human search for truth. This transforms the scenes into something more than just a story about a marriage crisis, becoming a story about two people's search for meaning in life. This aspect of the story is perhaps the main reason why Bergman's Scenes from a Marriage has reached out and touched so many people and still does. There is also a critical dimension to the search for truth, questioning the conventions and traditions of marriage and society. This analysis is the first in a series of analyses of Ingmar Bergman's written works.

  • 2.
    Almer, Johan
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Att sätta döden ur spel: En analys av Tomas Tranströmers dikt "Medeltida motiv"2018In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 139, no -, p. 162-177, article id -Article in journal (Refereed)
    Abstract [en]

    To knock Death out of the Game. An analysis of Tomas Tranströmer’s poem “Medieval motif ”

    The Swedish poet Tomas Tranströmer’s (1931–2015) poem “Medieval Motif ”, from For Living and Dead (1989), takes its visual point of departure in the motif “Man who plays chess with Death about his life”. A motif also found in medieval visual arts (Albertus Pictor, 1440–1509) and in modern film art (Ingmar Bergman, 1918–2007). In both Pictors painting, ”The Game of Chess with Death” (around 1480), and Bergman’s film The Seventh Seal (1957), Death knocks man out of the game by checkmate. In Tranströmer’s poem, however, things turn out somewhat differently. In “Medieval Motif ” there is unique word in Swedish poetry, “frisörsaxklippande” (“barber-scissor-like clipping”), as a determination for a sound. The analysis of the poem tries to answer a number of questions: What is this sound exactly? Why does the sound occur in a poem about a motif from the Middle Ages? What function does the sound have for the poem as an artistic whole? The “Medieval motif ”, which besides the title consists of two Sapphic stanzas, is the subject of an in-depth motif analysis and of a composition analysis. In summary, the analysis shows that the “Medieval motif ” forms an epiphany where the motif of Vanitas contributes to the understanding of the moment of togetherness as time and space cease to exist, and a previously hidden truth is revealed. As a part of that truth, Death is knocked out of the game.

  • 3.
    Almer, Johan
    University of Skövde, School of Humanities and Informatics.
    I egen sak: Retoriska anteckningar om ett öppet brev av C. J. L. Almqvist2007In: Den litterära textens förändringar: Studier tillägnade Stina Hansson / [ed] Stefan Ekman, Mats Malm, Lisbeth Stenberg, Eslöv: Symposion Brutus Östlings bokförlag, 2007, p. 200-207Chapter in book (Other academic)
    Abstract [sv]

    -

  • 4.
    Blomqvist, Helene
    et al.
    Avdelningen för humaniora och genusvetenskap, Estetisk-filosofiska fakulteten, Karlstads universitet.
    Ingvarsson, JonasKulturvetenskapliga Forskningsgruppen (KuFo), Estetisk-filosofiska fakulteten, Karlstads universitet.Ullström, MargarethaEstetisk-filosofiska fakulteten, Karlstads universitet.
    Replikens platser: en Dagbok: festskrift till Dag Nordmark2010Collection (editor) (Other academic)
    Abstract [sv]

    Festskrift till professor Dag Nordmark, litteraturvetenskap Karlstads univeristet.

  • 5.
    Ekman, Stefan
    Litteraturvetenskapliga institutionen vid Göteborgs universitet.
    "ditt Minne jag Bereder": Om retorik, tradition och poetisk egenart i Bellmans gravdiktning1998In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 119, p. 29-39Article in journal (Refereed)
  • 6.
    Ekman, Stefan
    Göteborgs Universitet.
    "I skuggan af Din Graf, jag på min Lyra slår": Carl Michael Bellmans dikter över döda i relation till dikttypens svenska tradition och funktion i nyhetspressen under senare delen av 1700-talet2004Doctoral thesis, monograph (Other academic)
  • 7.
    Ekman, Stefan
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Tilda Maria Forselius God dag min läsare!: bland berättare, brevskrivare, boktryckare och andra bidragsgivare i tidig svenska veckopress 1730-17732017In: Sjuttonhundratal, ISSN 1652-4772, Vol. 14, p. 137-139Article, book review (Refereed)
  • 8.
    Ingvarsson, Jonas
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Analog nostalgi blåser nytt liv i boken2015In: Svenska Dagbladet, ISSN 1101-2412, no 17 oktArticle, book review (Other (popular science, discussion, etc.))
    Abstract [sv]

    På senare år har författare åter börjat lockas av möjligheterna med skrivmaskiner, klassiskt bokbinderi och andra tekniker som övergetts i digitaliseringens spår. Det sker inte som en flykt från det digitala, utan för att undersöka läsningens förändrade materialitet.

  • 9.
    Ingvarsson, Jonas
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Comics and the Avant-Garde2016In: A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 / [ed] Tania Ørum and Jesper Olsson, Amsterdam/New York: Brill Academic Publishers, 2016, p. 380-382Chapter in book (Refereed)
    Abstract [en]

    (no abstract)

  • 10.
    Ingvarsson, Jonas
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Computers and Art in the 1960s2016In: A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 / [ed] Tania Ørum and Jesper Olsson, Amsterdam/New York: Brill Academic Publishers, 2016, p. 399-400Chapter in book (Refereed)
    Abstract [en]

    on Ulla Wiggen's computer paintings

  • 11.
    Ingvarsson, Jonas
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Digital epistemologi och tidigmoderna tankeformer: Mot en pedagogik för 2000-talets humaniora2016In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, Vol. 103, no 1, p. 49-62Article in journal (Refereed)
    Abstract [en]

    Affirming Alan Liu’s concept of digital epistemology (2014), it is suggested in this article that media archaeological and pedagogical approaches be applied to both digital culture and the humanities more general. The concept of digital epistemology discussed here suggests that the historical curriculum should be revised, since «the digital» – understood as a perspective, or a lens (Lindhé 2013; O’Gorman 2006) – shifts our focus in the treatment of historical topics and aesthetics.Consequently, in this article it is argued that the answers to the epistemological and pedagogical challenges of today lie not just in digital tools and devices, but also in premodern and early modern modes of thought. By combining digital perspectives with premodern or early modern modes of thought we arrive at a deautomatization (Shklovsky 1917; Agrell 1997) of our own digital, pedagogical and theoretical present, as well as of our relation to cultural history and aesthetics.

  • 12.
    Ingvarsson, Jonas
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Göra bruk: texter i arbete2015In: Universitetet som medium / [ed] Matts Lindström och Adam Wickberg Månsson, Lund: Lunds universitet. Institutionen för kommunikation och medier , 2015, p. 225-248Chapter in book (Other academic)
  • 13.
    Ingvarsson, Jonas
    Karlstads universitet, Avdelningen för humaniora och genusvetenskap.
    Mungon och den glada vetenskapen: Lars Gustafssons Tennisspelarna och cybernetiken som litteraturforskning2007In: Konst och vetenskap - skilda världar?: Finlandssvenskt kulturseminarium, Mariehamn 23-24.3 2006 / [ed] Tore Ahlbäck, Åbo: Åbo Akademis bibliotek , 2007Conference paper (Refereed)
  • 14.
    Ingvarsson, Jonas
    Karlstads universitet, Avdelningen för humaniora och genusvetenskap.
    Posthumanistiska nyckeltexter. Red. Cecilia Åsberg, Martin Hultman & Francis Lee. Studentlitteratur. Lund 20122012In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 133, p. 460-465Article, book review (Other academic)
  • 15.
    Ingvarsson, Jonas
    Karlstads universitet, Avdelningen för humaniora och genusvetenskap.
    Ringaryd 1976: Kulturcybernetik2008In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 38, no 2, p. 67-81Article in journal (Refereed)
  • 16.
    Ingvarsson, Jonas
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Tanja von Dahlern: Moving Images of Literature: Transformations of Literature in Contemporary Video and Film Installation Art2016In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 2, p. 79-82Article, book review (Other academic)
  • 17.
    Ingvarsson, Jonas
    et al.
    Forum för intermediala studier, Linnéuniversitetet, Växjö.
    Lindhé, Cecilia
    HUMlab, Umeå universitet.
    Digitalisering och poetisk form2012In: Litteraturens nätverk: Berättande på internet / [ed] Christian Lenemark, Lund: Studentlitteratur AB, 2012, p. 97-109Chapter in book (Other academic)
  • 18.
    Johansson, Lars-Erik
    University of Skövde, School of Humanities and Informatics.
    Skönlitteraturen i språkhistorien2008In: Gränser i nordisk litteratur: IASS XXVI 2006 / [ed] Heidi Grönstrand & Ulrika Gustafsson, Åbo: Åbo Akademis Förlag, 2008, p. 265-272Conference paper (Other academic)
  • 19.
    Johansson, Lars-Erik
    University of Skövde, School of Humanities and Informatics.
    "Ännu hos Lucidor" och "Hos Ångermanlänningen Tällman": Om källanvändningen i Adolf Noreens språk2008In: Nog ordat?: festskrift till Sven-Göran Malmgren den 25 april 2008, Meijerbergs institut för etymologisk forskning , 2008, p. 166-173Chapter in book (Other academic)
1 - 19 of 19
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