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  • 1.
    Alexandersson, Malin
    University of Skövde, School of Informatics.
    Romantisering av teknologi och science fiction karaktärsdesign: Det omänskliga och hur det tolkas2021Independent thesis Basic level (degree of Bachelor), 20 credits / 30 HE creditsStudent thesis
    Abstract [sv]

    Studien som presenteras i denna rapport berör hur det icke mänskliga inom science fiction uppfattas av dataspelutvecklingsstudenter. Romantisering av teknologi har alltid varit väl grundat i västvärlden och har påverkat hur science fiction-genren utvecklats, speciellt under genrens guldålder. Science fiction-genren är en genre med ofantligt mycket potential för att undersöka olika koncept, både sociala och vetenskapliga, men har väldigt starka stereotyper runt vissa karaktärstyper inom populärkultur. Den problemformulering som är basen för denna studie är om teknologisk icke-mänskliga karaktärer ses som mera positiva än organiska icke-mänskliga karaktärer. Flera olika karaktärer designades för studien som representationer av olika karaktärstyper inom science fiction-genren. Studiens resultat visar på motsatsen från problemformuleringen då det var de organiska karaktärerna som sågs som mera positiva än de teknologiska karaktärerna.

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  • 2.
    Almer, Johan
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Att bli själsligt alfabetiserad: Ingmar Bergmans Scener ur ett äktenskap som en väg till självkännedom (Bergmans berättelser)2018In: TijdSchrift voor Skandinavistiek, ISSN 0168-2148, E-ISSN 1875-9505, Vol. 36, no 2, p. 92-98Article in journal (Refereed)
    Abstract [en]

    Scenes from a Marriage (1973) marked a breakthrough for Ingmar Bergman (1918-2007), reaching awide audience both nationally and internationally. Scenes from a Marriage is also Bergman's first television series and today his most performed play in theatre around the world. Productions of Scenes from a Marriage in different media, such as television series, feature films, a book and in the theatre,has made it Bergman's most widespread work. Scenes from a Marriage was also of great importance to many individuals, influencing them to make crucial changes in their lives and relationships. Bergman's story of the marriage of two people, a marriage in crisis, divorce and reconciliation has obviously something to say to many of us who have watched, listened to, or read the story. What then does it tell us, and in what way is the story told? This question is addressed in an analysis of the work's composition,with particular emphasis on narrative techniques, motifs and the underlying theme, based on the Swedish book version. The six scenes in the book all take a dramatic form and present the same basic literary motif in different ways: a relationship based on love between two people in a very difficult situation.This motif, in turn, unfolds within the overall theme of the work: the human search for truth. This transforms the scenes into something more than just a story about a marriage crisis, becoming a story about two people's search for meaning in life. This aspect of the story is perhaps the main reason why Bergman's Scenes from a Marriage has reached out and touched so many people and still does. There is also a critical dimension to the search for truth, questioning the conventions and traditions of marriage and society. This analysis is the first in a series of analyses of Ingmar Bergman's written works.

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  • 3.
    Almer, Johan
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Att sätta döden ur spel: En analys av Tomas Tranströmers dikt "Medeltida motiv"2018In: Samlaren: Tidskrift för forskning om svensk och annan nordisk litteratur, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 139, no -, p. 162-177, article id -Article in journal (Refereed)
    Abstract [en]

    To knock Death out of the Game. An analysis of Tomas Tranströmer’s poem “Medieval motif ”

    The Swedish poet Tomas Tranströmer’s (1931–2015) poem “Medieval Motif ”, from For Living and Dead (1989), takes its visual point of departure in the motif “Man who plays chess with Death about his life”. A motif also found in medieval visual arts (Albertus Pictor, 1440–1509) and in modern film art (Ingmar Bergman, 1918–2007). In both Pictors painting, ”The Game of Chess with Death” (around 1480), and Bergman’s film The Seventh Seal (1957), Death knocks man out of the game by checkmate. In Tranströmer’s poem, however, things turn out somewhat differently. In “Medieval Motif ” there is unique word in Swedish poetry, “frisörsaxklippande” (“barber-scissor-like clipping”), as a determination for a sound. The analysis of the poem tries to answer a number of questions: What is this sound exactly? Why does the sound occur in a poem about a motif from the Middle Ages? What function does the sound have for the poem as an artistic whole? The “Medieval motif ”, which besides the title consists of two Sapphic stanzas, is the subject of an in-depth motif analysis and of a composition analysis. In summary, the analysis shows that the “Medieval motif ” forms an epiphany where the motif of Vanitas contributes to the understanding of the moment of togetherness as time and space cease to exist, and a previously hidden truth is revealed. As a part of that truth, Death is knocked out of the game.

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  • 4.
    Almer, Johan
    University of Skövde, School of Humanities and Informatics.
    I egen sak: Retoriska anteckningar om ett öppet brev av C. J. L. Almqvist2007In: Den litterära textens förändringar: Studier tillägnade Stina Hansson / [ed] Stefan Ekman, Mats Malm, Lisbeth Stenberg, Eslöv: Symposion Brutus Östlings bokförlag, 2007, p. 200-207Chapter in book (Other academic)
    Abstract [sv]

    -

  • 5.
    Almer, Johan
    University of Skövde, School of Informatics. University of Skövde, Informatics Research Environment.
    Minnenas magiska lykta: Om Ingmar Bergmans berättelse Laterna magica2023In: Memory and Remembrance in Scandinavian Cultures: Mediating Memory / [ed] Atėnė Mendelytė; Ieva Steponavičiūtė Aleksiejūnienė, Vilnius University Press , 2023, 1, p. 273-291Chapter in book (Refereed)
    Abstract [en]

    The Magic Lantern of Memories: On Ingmar Bergman’s Story Laterna Magica

    Abstract: Laterna magica (1987) is the first book Ingmar Bergman (1918–2007) published whose content was not intended to be developed into film or theater. This autobiographical book has often been used in research as a reference in various contexts concerning Bergman’s life and art. From a research point of view, however, it is difficult to use the memory book as evidence for facts or truths, as there are many examples of it simply being fiction. It is therefore interesting today to read Laterna magica as a work of art in its own right and thus perhaps find a different “truth” than the one about Ingmar Bergman’s life. For his story of himself, Bergman has very consciously chosen a literary form that structures personal memories interspersed with more contemporary events. What memories then does his literary laterna magica show and what do they mean? Why are memories and events structured in a certain way? Is there any unity in the total of more than a hundred memory images in various forms that the book consists of? My reading of Laterna magica takes a point of departure in Adriana Cavarero’s (2000) theory of the “narrative self.” In Laterna magica the narrative self creates an identity through the story that consists of the merged memory images. It then becomes a story where Bergman’s narrative self is looking for answers to the question “who am I?” The reading of the “autobiography”also assumes that it is a literary work. Thus, the story of the magical lantern of memories can be analyzed as a literary composition where staging and truth-seeking are two important concepts.

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  • 6.
    Bloem, Rose
    University of Skövde, School of Humanities and Informatics.
    Haunting Depictions of Dominance and Oppression: Arundhati Roy´s The God of Small Things and Mark Behr´s The Smell of Apples2005In: Memory, Haunting, Discourse / [ed] Maria Holmgren Troy; Elisabeth Wennö, Karlstad: Karlstads universitet, 2005, p. 205-217Chapter in book (Other academic)
  • 7.
    Blomqvist, Helene
    et al.
    Avdelningen för humaniora och genusvetenskap, Estetisk-filosofiska fakulteten, Karlstads universitet.
    Ingvarsson, JonasKulturvetenskapliga Forskningsgruppen (KuFo), Estetisk-filosofiska fakulteten, Karlstads universitet.Ullström, MargarethaEstetisk-filosofiska fakulteten, Karlstads universitet.
    Replikens platser: en Dagbok: festskrift till Dag Nordmark2010Collection (editor) (Other academic)
    Abstract [sv]

    Festskrift till professor Dag Nordmark, litteraturvetenskap Karlstads univeristet.

  • 8.
    Ekman, Stefan
    University of Skövde, School of Informatics. University of Skövde, Informatics Research Environment.
    Carina Burman, Bellman. Biografin (Stockholm: Bonniers, 2019). 751 pp.2020In: Sjuttonhundratal, ISSN 1652-4772, E-ISSN 2001-9866, Vol. 17, p. 178-180Article, book review (Refereed)
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  • 9.
    Ekman, Stefan
    Litteraturvetenskapliga institutionen vid Göteborgs universitet.
    "ditt Minne jag Bereder": Om retorik, tradition och poetisk egenart i Bellmans gravdiktning1998In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 119, p. 29-39Article in journal (Refereed)
  • 10.
    Ekman, Stefan
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Fakta, fiktion och funktion: Olika perspektiv på Bellmans 'förlovningsdikter'2019In: Bellmansstudier utgivna av Bellmanssällskapet: Tjugofemte samlingen / [ed] Olof Holm, Stockholm: Bellmanssällskapet , 2019, p. 155-185Chapter in book (Other academic)
  • 11.
    Ekman, Stefan
    Göteborgs Universitet.
    "I skuggan af Din Graf, jag på min Lyra slår": Carl Michael Bellmans dikter över döda i relation till dikttypens svenska tradition och funktion i nyhetspressen under senare delen av 1700-talet2004Doctoral thesis, monograph (Other academic)
  • 12.
    Ekman, Stefan
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Tilda Maria Forselius God dag min läsare!: bland berättare, brevskrivare, boktryckare och andra bidragsgivare i tidig svenska veckopress 1730-17732017In: Sjuttonhundratal, ISSN 1652-4772, Vol. 14, p. 137-139Article, book review (Refereed)
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  • 13.
    Holloway-Attaway, Lissa
    et al.
    University of Skövde, School of Informatics. University of Skövde, Informatics Research Environment.
    Fawcus, Jamie
    University of Skövde, School of Informatics. University of Skövde, Informatics Research Environment.
    PATTER(N)INGS, Apt. 3B, 2020: sound as affective space for world-building2021In: Texts of discomfort: Interactive Storytelling Art / [ed] María Cecilia Reyes; James Pope, Pittsburgh, PA USA: ETC Press, 2021, p. 282-312Chapter in book (Refereed)
    Abstract [en]

    In our chapter, we reflect on our design of PATTER(N)INGS: Apt 3B, 2020, an interactive audio experience expressing some of the anxieties and challenges of living in and through 2020+ during a global pandemic in lockdown state. Our web-based audio application simulates a domestic space and its embodied inhabitants (human, non-human, and other) as encountered by a single user (or “eavesdropper”). The pandemic world we evoke is both specific and timeless, located and transhi- storical, in its remixing of literary materials and other sonic agents that destabilize fixed subject identities and rational cognitive states in favor of affective, ontological ones. We draw on theore- tical influences from critical posthumanism, feminist new materialism and non-human narrative as well work in electroacoustic musical composition and audio experimentation. We document our process of generative dynamic world-building and interactive digital storytelling as formulated though distributed agencies/embodiments, fragmentation (literary and sonic), affective acoustic space-making, and psychoacoustic manipulation.

  • 14.
    Holloway-Attaway, Lissa
    et al.
    University of Skövde, School of Informatics. University of Skövde, Informatics Research Environment.
    Rouse, Rebecca
    University of Skövde, School of Informatics. University of Skövde, Informatics Research Environment.
    Augmenting Affect: Interaction, Materiality and Mimetic Communication in Augmented Reality Books2020In: The Expression of Emotion In Humans and Technology: The Art Exhibit at ICIDS 2019 Art Book / [ed] Ryan Bown, Brian Salisbury, Pittsburgh, PA: ETC Press, 2020, p. 69-78Chapter in book (Refereed)
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  • 15.
    Holloway-Attaway, Lissa
    et al.
    University of Skövde, School of Informatics. University of Skövde, Informatics Research Environment.
    Rouse, Rebecca
    University of Skövde, School of Informatics. University of Skövde, Informatics Research Environment.
    When You Hear the Chime: Movable Books and the Dramaturgical Functions of Sound in Mixed Reality Interactive Narrative Design2022In: Interactive Storytelling: 15th International Conference on Interactive Digital Storytelling, ICIDS 2022, Santa Cruz, CA, USA, December 4–7, 2022, Proceedings / [ed] Mirjam Vosmeer; Lissa Holloway Attaway, Cham: Springer Nature Switzerland AG , 2022, p. 427-440Conference paper (Refereed)
    Abstract [en]

    In this paper we outline the pre-digital histories of recorded and synthesized sound, exploring their entanglements with both the literal codex and larger literary imaginary. In particular, we focus on intersections of sound and movable books, offering the rich genealogy of the movable book as a fertile addition to the IDN (interactive digital narrative) family tree, as an example of pre-computational interactive narrative with a long history. Drawing on this intermedial history, along with our own experience designing an MR (mixed reality) movable book, we offer a taxonomy of dramaturgical functions of sound in MR IDN. We demonstrate the use of this taxonomy in analysis of our own work, and suggest opportunities for expanding the taxonomy in support of future speculative research and design imaginaries for IDNs. 

  • 16.
    Ingvarsson, Jonas
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Analog nostalgi blåser nytt liv i boken2015In: Svenska Dagbladet, ISSN 1101-2412, no 17 oktArticle, book review (Other (popular science, discussion, etc.))
    Abstract [sv]

    På senare år har författare åter börjat lockas av möjligheterna med skrivmaskiner, klassiskt bokbinderi och andra tekniker som övergetts i digitaliseringens spår. Det sker inte som en flykt från det digitala, utan för att undersöka läsningens förändrade materialitet.

  • 17.
    Ingvarsson, Jonas
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Comics and the Avant-Garde2016In: A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 / [ed] Tania Ørum and Jesper Olsson, Amsterdam/New York: Brill Academic Publishers, 2016, p. 380-382Chapter in book (Refereed)
    Abstract [en]

    (no abstract)

  • 18.
    Ingvarsson, Jonas
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Computers and Art in the 1960s2016In: A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 / [ed] Tania Ørum and Jesper Olsson, Amsterdam/New York: Brill Academic Publishers, 2016, p. 399-400Chapter in book (Refereed)
    Abstract [en]

    on Ulla Wiggen's computer paintings

  • 19.
    Ingvarsson, Jonas
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Digital epistemologi och tidigmoderna tankeformer: Mot en pedagogik för 2000-talets humaniora2016In: Edda. Nordisk tidsskrift for litteraturforskning, ISSN 0013-0818, E-ISSN 1500-1989, Vol. 103, no 1, p. 49-62Article in journal (Refereed)
    Abstract [en]

    Affirming Alan Liu’s concept of digital epistemology (2014), it is suggested in this article that media archaeological and pedagogical approaches be applied to both digital culture and the humanities more general. The concept of digital epistemology discussed here suggests that the historical curriculum should be revised, since «the digital» – understood as a perspective, or a lens (Lindhé 2013; O’Gorman 2006) – shifts our focus in the treatment of historical topics and aesthetics.Consequently, in this article it is argued that the answers to the epistemological and pedagogical challenges of today lie not just in digital tools and devices, but also in premodern and early modern modes of thought. By combining digital perspectives with premodern or early modern modes of thought we arrive at a deautomatization (Shklovsky 1917; Agrell 1997) of our own digital, pedagogical and theoretical present, as well as of our relation to cultural history and aesthetics.

  • 20.
    Ingvarsson, Jonas
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Göra bruk: texter i arbete2015In: Universitetet som medium / [ed] Matts Lindström och Adam Wickberg Månsson, Lund: Lunds universitet. Institutionen för kommunikation och medier , 2015, p. 225-248Chapter in book (Other academic)
  • 21.
    Ingvarsson, Jonas
    Karlstads universitet, Avdelningen för humaniora och genusvetenskap.
    Mungon och den glada vetenskapen: Lars Gustafssons Tennisspelarna och cybernetiken som litteraturforskning2007In: Konst och vetenskap - skilda världar?: Finlandssvenskt kulturseminarium, Mariehamn 23-24.3 2006 / [ed] Tore Ahlbäck, Åbo: Åbo Akademis bibliotek , 2007Conference paper (Refereed)
  • 22.
    Ingvarsson, Jonas
    Karlstads universitet, Avdelningen för humaniora och genusvetenskap.
    Posthumanistiska nyckeltexter. Red. Cecilia Åsberg, Martin Hultman & Francis Lee. Studentlitteratur. Lund 20122012In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 133, p. 460-465Article, book review (Other academic)
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  • 23.
    Ingvarsson, Jonas
    Karlstads universitet, Avdelningen för humaniora och genusvetenskap.
    Ringaryd 1976: Kulturcybernetik2008In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 38, no 2, p. 67-81Article in journal (Refereed)
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  • 24.
    Ingvarsson, Jonas
    University of Skövde, School of Informatics. University of Skövde, The Informatics Research Centre.
    Tanja von Dahlern: Moving Images of Literature: Transformations of Literature in Contemporary Video and Film Installation Art2016In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 2, p. 79-82Article, book review (Other academic)
  • 25.
    Ingvarsson, Jonas
    et al.
    Forum för intermediala studier, Linnéuniversitetet, Växjö.
    Lindhé, Cecilia
    HUMlab, Umeå universitet.
    Digitalisering och poetisk form2012In: Litteraturens nätverk: Berättande på internet / [ed] Christian Lenemark, Lund: Studentlitteratur AB, 2012, 1, p. 97-111Chapter in book (Other academic)
  • 26.
    Johansson, Birgitta
    University of Skövde, School of Humanities and Informatics.
    Absurdistiskt språkspel och psykologiskt bråddjup i Kristina Lugns "Idlaflickorna"2008In: Dikten som mötesplats: Festskrift till Eva Lilja / [ed] Sissel Furuseth; Lisbeth Stenberg, Göteborg: Kabusa Böcker , 2008, p. 56-67Chapter in book (Other (popular science, discussion, etc.))
  • 27.
    Johansson, Birgitta
    University of Skövde, School of Humanities and Informatics.
    Frihet och fångenskap: den olösliga motsättningen i Henrik Ibsens "Hedda Gabler"2008In: Kritikens dimensioner: Festskrift till Tomas Forser / [ed] Åsa Arping; Mats Jansson, Stockholm: Symposion Brutus Östlings bokförlag, 2008, p. 241-257Chapter in book (Other (popular science, discussion, etc.))
  • 28.
    Johansson, Lars-Erik
    University of Skövde, School of Humanities and Informatics.
    Skönlitteraturen i språkhistorien2008In: Gränser i nordisk litteratur: IASS XXVI 2006 / [ed] Heidi Grönstrand & Ulrika Gustafsson, Åbo: Åbo Akademis Förlag, 2008, p. 265-272Conference paper (Other academic)
  • 29.
    Johansson, Lars-Erik
    University of Skövde, School of Humanities and Informatics.
    "Ännu hos Lucidor" och "hos ångermanlänningen Tiällman": Om källanvändningen i Adolf Noreens Vårt språk2008In: Nog ordat?: Festskrift till Sven-Göran Malmgren den 25 april 2008 / [ed] Kristinn Johannesson, Hans Landqvist, Aina Lundqvist, Lena Rogström, Emma Sköldberg, Barbro Wallgren Hemlin, Göteborg: Meijerbergs institut för etymologisk forskning , 2008, p. 166-173Chapter in book (Other academic)
  • 30.
    Leblanc, André
    University of Skövde, School of Humanities and Informatics.
    Douleur et intersubjectivité dans Adolphe de Benjamin Constant2006In: Actes du XVIe Congrès des Romanistes Scandinaves / [ed] Michel Olsen; Erik H. Swiatek, Roskilde: Department of Language and Culture, Roskilde University , 2006, p. 1-17Conference paper (Other academic)
    Abstract [en]

    Dans la quête des sources du malaise profond qui parcourt toute l'oeuvre de Benjamin Constant, on ne peut qu'être frappé par la place qu'occupe la douleur dans les préoccupations de cet auteur. Adolphe constitue à ce titre un bon exemple de ce phénomène, mais pour en rendre compte convenablement, il convient de l’examiner dans ses rapports avec la mauvaise conscience tant ces deux sentiments sont interchangeables et entretiennent des liens de cause à effet. Après avoir déterminé les modalités selon lesquelles douleur et mauvaise conscience se conjuguent, il est vite apparu que la douleur modelait l’intersubjectivité par le recours à des thèmes proches comme la pitié et la compassion, voire la cruauté et la tyrannie. Cette configuration complexe de la douleur n’a bien souvent pas été prise en compte par la critique qui s’est souvent servi d’Adolphe pour porter un jugement moral sur Constant alors qu’il aurait été plus judicieux de tenter de déceler les enjeux de la douleur non seulement pour le narrateur et son amante, mais aussi pour le lecteur.Dans la quête des sources du malaise profond qui parcourt toute l'oeuvre de Benjamin Constant, on ne peut qu'être frappé par la place qu'occupe la douleur dans les préoccupations de cet auteur. Nombre de réflexions théoriques à propos de la douleur se retrouvent dans les différents écrits sur la religion, mais le thème de la souffrance est aussi repris dans les écrits intimes et les oeuvres de fiction pour y exprimer le malaise ressenti par la douleur causée à autrui. Adolphe offre un excellent exemple d’exposition de la douleur dans la mesure où elle constitue la trame principale du récit. S’y trouvent aussi des enjeux nombreux et d’importance, mais difficiles à percevoir en raison de la grande charge émotive imprégnant les relations d’Adolphe et d’Ellénore et de la structure narrative particulière à cette oeuvre. Pour nous aider à déterminer les enjeux de la douleur, il sera dans un premier temps utile d’en examiner les manifestations dans ses relations avec la mauvaise conscience qui taraude le narrateur tout au long du récit. S’attacher à percevoir les liens entre ces deux sentiments n’est en rien arbitraire dans la mesure où ils s’imbriquent dans une causalité réciproque.

  • 31.
    Leblanc, André
    University of Skövde, School of Humanities and Informatics.
    D’une certaine image de la Suède dans Wallstein de Benjamin Constant2004In: L'image du Nord chez Stendhal et les romantiques 1: du colloque organisé par le Département de Lettres et d’Etudes franÇaises de l’Université d’Örebro / [ed] Kajsa Andersson, Örebro: Örebro University , 2004, p. 242-254Conference paper (Refereed)
  • 32.
    Rouse, Rebecca
    et al.
    University of Skövde, School of Informatics. University of Skövde, Informatics Research Environment.
    Holloway-Attaway, Lissa
    University of Skövde, School of Informatics. University of Skövde, Informatics Research Environment.
    A prehistory of the interactive reader and design principles for storytelling in postdigital culture2020In: Book 2.0, ISSN 2042-8022, Vol. 10, no 1, p. 7-42Article in journal (Refereed)
    Abstract [en]

    This article examines historical examples to illuminate a prehistory of the interac- tive reader in analogue media, tracing a rich genealogy that is helpful for under- standing and designing current works such as augmented reality (AR) books. In addition, a set of generative design strategies to help shape current practice are discussed, based both on formal qualities and characteristics of historical exam- ples and the authors’ own experiences as designers working in mixed reality over many years. Theoretical framing is provided to persuasively make the case for the relevance of historical works for designers today. From medieval manuscripts, to Renaissance medical texts, to seventeenth, eighteenth and nineteenth century movable books, to the elaborate paper engineering of twentieth century and contemporary pop-up books, the history of the active reader and interactive book design is long and fascinating, and is presented here as an important and direct source of inspiration for digital designers today. Finally, recent interactive book projects designed by the authors are discussed and analyzed for both continuities and disruptions of historical interactive book design strategies, and a framework is presented for conceptualizing the postdigital interactive reader today.

  • 33.
    Vosmeer, Mirjam
    et al.
    Amsterdam University of Applied Sciences, The Netherlands.
    Holloway-Attaway, LissaUniversity of Skövde, School of Informatics. University of Skövde, Informatics Research Environment.
    Interactive Storytelling: 15th International Conference on Interactive Digital Storytelling, ICIDS 2022, Santa Cruz, CA, USA, December 4–7, 2022, Proceedings2022Conference proceedings (editor) (Refereed)
    Abstract [en]

    This volume constitutes the proceedings of the 15th International Conference on Interactive Digital Storytelling (ICIDS 2022). ICIDS is the premier conference for researchers and practitioners concerned with studying digital interactive forms of narrative from avariety of perspectives, including theoretical, technological, and applied design lenses.The annual conference is an interdisciplinary gathering that combines technology focused approaches with humanities-inspired theoretical inquiry, empirical research, and artistic expression. This year’s conference was built around the central theme of ‘Speculative Horizons’. With this theme we were motivated to consider the future and its relationship to interactive digital storytelling.

  • 34.
    Wilhelmsson, Ulf
    University of Skövde, School of Informatics. University of Skövde, Informatics Research Environment.
    On Bikers at War: Transformations of Non-Fictional and Fictional Conflicts from Hamlet to Sons of Anarchy: Men of Mayhem2022In: Representing Conflicts in Games: Antagonism, Rivalry, and Competition / [ed] Björn Sjöblom; Jonas Linderoth; Anders Frank, Routledge, 2022, 1, p. 30-45Chapter in book (Refereed)
    Abstract [en]

    This chapter discusses how conflicts are transformed from real life, via narratives to a game. It explores four types of conflicts: intergroup, intragroup, interpersonal and intrapersonal derived from a material consisting of three cultural artefacts that are interconnected: Shakespear’s dramaThe Tragedy of Hamlet, the TV-series Sons of Anarchy and the table top game Sons of Anarchy: Men of Mayhem. The fundamental and underlining question in this chapter is what the board game medium is capable of preserving from a Shakespearean drama and real life conflicts. For each step in the transformation the conflicts take on a slightly different form. The world, objects agents and events undergo changes and conflicts are presented in terms of motivation, how they are initiated and how they are turned into events such as direct war player versus player. In the stepwise transformation from Hamlet to Men of Mayhem the characters as such disappear and only function as emblematic objects rather than agents. The main finding of the chapter is that there is no room for intrapersonal and intragroup conflicts in the game. Social structures and social conflicts are the common denominators between non-fiction, narrative and the game.

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