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Publications (10 of 50) Show all publications
Kristensen, L. (2024). Mikhail Brashinsky: Waves (Volny, 2023) [Review]. KinoKultura (83)
Open this publication in new window or tab >>Mikhail Brashinsky: Waves (Volny, 2023)
2024 (English)In: KinoKultura, ISSN 1478-6567, no 83Article, book review (Other academic) Published
Place, publisher, year, edition, pages
Bristol: Watershed Media Centre, 2024
National Category
Studies on Film
Research subject
GAME Research Group
Identifiers
urn:nbn:se:his:diva-23551 (URN)
Note

CC BY-NC-ND 3.0

Available from: 2024-01-23 Created: 2024-01-23 Last updated: 2024-04-15Bibliographically approved
Kristensen, L. (2023). Gaming Eastern Europe: Production, Distribution and Consumption. Studies in Eastern European Cinema, 14(1), 1-7
Open this publication in new window or tab >>Gaming Eastern Europe: Production, Distribution and Consumption
2023 (English)In: Studies in Eastern European Cinema, ISSN 2040-350X, E-ISSN 2040-3518, Vol. 14, no 1, p. 1-7Article in journal, Editorial material (Other academic) Published
Place, publisher, year, edition, pages
Taylor & Francis Group, 2023
National Category
Media and Communication Technology
Research subject
GAME Research Group
Identifiers
urn:nbn:se:his:diva-22297 (URN)10.1080/2040350X.2023.2149122 (DOI)000923099600001 ()
Note

Taylor & Francis Group an Informa business

Special Issue on Gaming Eastern Europe: Production, Distribution and Consumption; Guest Editor: Lars Kristensen

Available from: 2023-02-23 Created: 2023-02-23 Last updated: 2023-11-27Bibliographically approved
Kristensen, L. & Toftedahl, M. (2023). Interview with Ágnes Karolina Bakk (ÁKB) and Alexey Izvalov (AI). Studies in Eastern European Cinema, 14(1), 98-105
Open this publication in new window or tab >>Interview with Ágnes Karolina Bakk (ÁKB) and Alexey Izvalov (AI)
2023 (English)In: Studies in Eastern European Cinema, ISSN 2040-350X, E-ISSN 2040-3518, Vol. 14, no 1, p. 98-105Article in journal, Editorial material (Other (popular science, discussion, etc.)) Published
Place, publisher, year, edition, pages
Taylor & Francis Group, 2023
Keywords
Game development, game developer, performance and games, game jam, localization
National Category
Media and Communication Technology
Research subject
GAME Research Group
Identifiers
urn:nbn:se:his:diva-22179 (URN)10.1080/2040350X.2022.2159161 (DOI)000905477000001 ()2-s2.0-85145457983 (Scopus ID)
Note

Received 06 Dec 2022, Accepted 11 Dec 2022, Published online: 28 Dec 2022

Special Issue on Gaming Eastern Europe: Production, Distribution and Consumption; Guest Editor: Lars Kristensen

Contact: Lars Kristensen lars.kristensen@his.se Department of Game development, School of informatics, University of Skövde, Box 408, Skövde, 541 28, Sweden

Available from: 2023-01-12 Created: 2023-01-12 Last updated: 2023-02-23Bibliographically approved
Kristensen, L. (2023). Pavel Lungin: Esau (2019) [Review]. KinoKultura (80)
Open this publication in new window or tab >>Pavel Lungin: Esau (2019)
2023 (English)In: KinoKultura, ISSN 1478-6567, no 80Article, book review (Other academic) Published
Abstract [en]

Review of Pavel Lungin's film Esau (2019)

Place, publisher, year, edition, pages
Bristol: , 2023
National Category
Studies on Film
Research subject
GAME Research Group
Identifiers
urn:nbn:se:his:diva-22365 (URN)
Note

CC BY-NC-ND 3.0

Available from: 2023-04-04 Created: 2023-04-04 Last updated: 2023-11-24Bibliographically approved
Kristensen, L. & Wilhelmsson, U. (2023). Roger Caillois e il Marxismo: La prospettiva dei Game Studies (1ed.). In: Matteo Bittanti (Ed.), Reset: Politicia e Videogiochi (pp. 99-133). Milano: Mimesis edizioni
Open this publication in new window or tab >>Roger Caillois e il Marxismo: La prospettiva dei Game Studies
2023 (Italian)In: Reset: Politicia e Videogiochi / [ed] Matteo Bittanti, Milano: Mimesis edizioni, 2023, 1, p. 99-133Chapter in book (Refereed)
Place, publisher, year, edition, pages
Milano: Mimesis edizioni, 2023 Edition: 1
Series
Eterotopie ; 837
Keywords
Roger Caillois, Marxism, videogiochi
National Category
Other Humanities
Research subject
GAME Research Group
Identifiers
urn:nbn:se:his:diva-22210 (URN)978-88-5759-540-5 (ISBN)
Note

Kapitlet är en översättning från engelska till italienska av tidigare publicerat arbete: Roger Cailois and Marxism: A Game Studies perspective

Available from: 2023-01-27 Created: 2023-01-27 Last updated: 2023-05-05Bibliographically approved
Kristensen, L. & Rogatchevski, A. (2022). Interview with Vladimir Friedman. KinoKultura (Special issue 20)
Open this publication in new window or tab >>Interview with Vladimir Friedman
2022 (English)In: KinoKultura, ISSN 1478-6567, no Special issue 20Article in journal (Other (popular science, discussion, etc.)) Published
Abstract [en]

Interview with the Russian-Israeli actor Vladimir Shulimovich Friedman. Friedman was born in Kursk in 1959. He graduated from GITIS (State Theatre Institute) in Moscow and played dozens of different roles on stage, in film and on television, in the Soviet Union and in Israel. He is one of the most recognizable Russo-Israeli actors both in Israel and beyond – and a fine guitar poet, too. In the interview, Friedman talka about his career in cinema.

Place, publisher, year, edition, pages
Bristol: Watershed Media Centre, 2022
Keywords
Acting, cinema, Israel, Russia, Russophone cinema
National Category
Studies on Film
Research subject
GAME Research Group
Identifiers
urn:nbn:se:his:diva-22073 (URN)
Note

CC BY-NC-ND 3.0

Special Issue 20

Available from: 2022-11-22 Created: 2022-11-22 Last updated: 2022-11-23Bibliographically approved
Kristensen, L. (2022). Russian Diasporic Cinema in Israel: Leonid Gorovets and Arik Kaplun. KinoKultura (Special Issue 20)
Open this publication in new window or tab >>Russian Diasporic Cinema in Israel: Leonid Gorovets and Arik Kaplun
2022 (English)In: KinoKultura, ISSN 1478-6567, no Special Issue 20Article in journal (Refereed) Published
Abstract [en]

The article investigates Russian-Israeli cinema concentrating on the career of the filmmaker as someone having a decisive significance for the film product. However, here it is different migratory paths that are compared: the nature of cinematic representation of Russians abroad in part depends on which generation the filmmaker belongs to. As will be shown, differences in migratory paths are projected onto the portrayal of Russians in Israel, a country that has seen nearly a million people arrive from the former Soviet Union (FSU) since the late 1980s. The two filmmakers I have chosen for my analysis are Leonid Gorovets, a second wave immigrant to Israel, and Arik Kaplun, who is from the first wave. My analytical approach to the filmmakers and their films will involve a strong emphasis on the autobiographical, which will be used to reveal a personal experience behind the films’ representations, where both function as ‘translators’ or informers of Russian cultural values that arise from the diasporic situation, but without involvement in the production from the Russian film industry.

Place, publisher, year, edition, pages
Bristol: Watershed Media Centre, 2022
Keywords
Russophone cinema, Israeli cinema, Diasporic cinema, Accented Cinema
National Category
Studies on Film
Research subject
GAME Research Group
Identifiers
urn:nbn:se:his:diva-22071 (URN)
Note

CC BY-NC-ND 3.0

Alternativ undertitel: Leonid Gorovets, Arik Kaplun, Feliks Gerchikov, and Others

Special Issue 20

Available from: 2022-11-22 Created: 2022-11-22 Last updated: 2023-01-16Bibliographically approved
Kristensen, L. & Rogatchevski, A. (2022). Russophone Israeli Cinema: “Accented”, Post-Soviet, Transnational, Postnational?. KinoKultura (Special Issue 20)
Open this publication in new window or tab >>Russophone Israeli Cinema: “Accented”, Post-Soviet, Transnational, Postnational?
2022 (English)In: KinoKultura, ISSN 1478-6567, no Special Issue 20Article, review/survey (Refereed) Published
Abstract [en]

This review article set the framework for dealing with Russophone cinema in Israel. It looks at postcommunism in the wake of Russia's war on Ukraine and what effect this has on studying contemporray Russian cinema. The article surveys also the key term of transnational cinema and how the term can be used in investigating cinemas on the periphery of mainsteam filmmaking. It briefly describe early Istaeli filmmaking and how Russian immigrants were part of establishing a film industry in Israel.   

Place, publisher, year, edition, pages
Bristol: Watershed Media Centre, 2022
Keywords
Russophone cinema, Israeli cinema, Diasporic cinema, Accented Cinema
National Category
Studies on Film
Research subject
GAME Research Group
Identifiers
urn:nbn:se:his:diva-22072 (URN)
Note

CC BY-NC-ND 3.0

Special Issue 20

Available from: 2022-11-22 Created: 2022-11-22 Last updated: 2023-01-16Bibliographically approved
Kristensen, L. (2021). Egor Baranov: The Blackout (Avanpost, 2019) [Review]. KinoKultura (71)
Open this publication in new window or tab >>Egor Baranov: The Blackout (Avanpost, 2019)
2021 (English)In: KinoKultura, ISSN 1478-6567, no 71Article, book review (Other academic) Published
Place, publisher, year, edition, pages
Watershed Media Centre, 2021
National Category
Studies on Film
Research subject
Media, Technology and Culture (MTEC)
Identifiers
urn:nbn:se:his:diva-19365 (URN)
Note

CC BY-NC-ND 3.0

Available from: 2021-01-05 Created: 2021-01-05 Last updated: 2023-04-04Bibliographically approved
Kristensen, L. (2021). Evgenii Sheliakin: Good as New (Kheppi-end 2020) [Review]. KinoKultura (74)
Open this publication in new window or tab >>Evgenii Sheliakin: Good as New (Kheppi-end 2020)
2021 (English)In: KinoKultura, ISSN 1478-6567, no 74Article, book review (Other (popular science, discussion, etc.)) Published
Place, publisher, year, edition, pages
Bristol: Watershed Media Centre, 2021
Keywords
Review, russian cinema, Evgenii Sheliakin
National Category
Studies on Film
Research subject
Media, Technology and Culture (MTEC)
Identifiers
urn:nbn:se:his:diva-20656 (URN)
Available from: 2021-10-18 Created: 2021-10-18 Last updated: 2021-10-20Bibliographically approved
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0001-5364-8036

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